Currently in performance with

Pat Douthwaite: Alive and Kicking
by Anna Carlisle
starring Alexandra Mathie

‘The play is a triumph’

Tommy Zyw, director The Scottish Gallery, Edinburgh


After six stunning performances since September 2024 - in both England and Scotland - this dazzling and dizzying play is set to continue its whirlwind tour of art galleries and theatre spaces in 2025 - with two further performances scheduled for March: at Glasgow School of Art and *The Lillie Gallery, Milngavie respectively.

*To purchase tickets for the performance at The Lillie Gallery, Milngavie on Friday 14th March 2025, go to https://edlc.ticketlight.co.uk/

Navigate along to our Pat Douthwaite: Alive and Kicking tab to view images and read information about the production. And go on to our GALLERY to view images from recent performances.

For all other performance details and information, email us at heroicatc@gmail.com


‘This is theatre that genuinely collaborates with its audience, taking you on a journey, often outdoors,
always in unusual spaces, and inviting you to roll up your sleeves and engage with activity along the way.’

Joan Eardley: A Private View

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Joan Eardley: A Private View premiered at Modern Two, Scottish National Gallery of Modern Art in Edinburgh and then toured UK regional art galleries and arts centres in May/June 2017.

Productions

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Follow the link below for information about our productions, previous work and reviews. Formerly Square Peg Productions, Heroica has been mounting innovative productions since 2005.

About us

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The experience of a Heroica production is unique. Each play event illuminates the life of a secret heroine, celebrating a woman of great achievement, often a maverick and usually unsung.

★★★★★

Joan Eardley: A Private View

Reviewed by Jan Patience, Herald Scotland:

‘This touring production feels like it is finally breaking down the barriers to understanding the power behind Eardley’s paintings. By scraping away the layers of this complex and fiercely talented individual, the audience is given a fleeting glimpse into her inner life. It made me weep – and that was a good thing.’

 
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